PROGRAMME FOR MAKING CREATIVE CONNECTIONS TWO

 

10.00am Registration and coffee (Gallery 2)

 

10.30 Keynote: The Textures of Technology: Digital Media and Cultural Identity (Cinema 1)

Speaker: Pete Worrall

Chair: Ayleen Driver, Director of CLC@Brislington

As a global electronic community slowly emerges in the 21st Century, we should acknowledge that there is a digital divide. This forever changing technological situation has far reaching implications for art educators and artists regarding contemporary practice. In this presentation Pete will explore and illuminate these issues drawing on recent case study materials from Finland, Brazil and the United Kingdom.

Pete Worrall is ICT Coordinator for the Initial Teacher Training course at the Institute of Art at the University of Central England. Pete Worrall has worked as a Head of Art, an Advisory teacher for Art and ICT and as a New Media Consultant for the QCA, the TTA and Ofsted, in Europe, South America and the USA. He is a digital artist and a freelance writer for educational and computer magazines. He is a Board Member of the International Advisory Board, International Child Art Foundation, Washington, USA.

 

11.25 Digital Media and Palestinian Identity (Cinema 1)

Speaker: Yasser Rashid

Chair: Cathy Poole, Head of Education, Watershed Media Centre

Digital Media has given the opportunity to underprivileged and marginalised communities to express their views and express their culture through a medium that can potentially reach a global audience.
What are the ways in which the Internet can be utilised to serve this purpose? How can a target audience be reached and how can minority groups collaborate and work together to learn new skills, knowledge and explore cultural difference in the digital age?

Yasser Rashid is a professional web site designer, digital media tutor and digital artist.

 

11.55 Seminars: delegates should choose one from 1,2,3,4

1. Using Educational E-Competitions to Network Schools and Aid Transition through the Key Phases. (Digital Lounge)

Speaker: Neil Dennison

Chair: Ayleen Driver, Director of CLC@Brislington

Neil Dennison will describe the Redcliffe Challenge, an interactive game and web project which ran in the Summer of 2001:
Introduction and Motivation; the Project and Planning
The Web Site and Game and Thoughts on the effects (emphasis on phase transition)
Next Steps
The Redcliffe Challenge site was designed and built by a team of students at St Mary Redcliffe and Temple School in Bristol and four Bristol based primary schools took part in the competition.

Neil Dennison is Head of ICT, St Mary Redcliffe and Temple School, Bristol.

 

2. Computers in the Art Department (Cinema 1)

Speaker: Ross Wallis

Chair: Cathy Poole, Head of Education, Watershed Media Centre

Ross Wallis aims to share some of the experience gained through a decade of using computers in the Art Department, and to show what students have achieved; at the upper end of the school - those who have gone on to take degrees in graphic design and animation; at the lower end of the school - work that younger pupils can achieve when let loose on the computers; and more generally how computers have integrated into the working life of the department.
Issues to be raised include the place of the computer in the Art Department, funding, assessment, and the constant 'brick wall' that is hit when trying to achieve the results he knows are possible, and communicate these possibilities to colleagues.

Ross Wallis is Head of Art at Sidcot School in Somerset.

 

3. Model Animation in the Classroom; Creativity with ICT (Gallery 2)

Speaker: Oscar Stringer

Chair: Liz Boutwood, Education Assistant, Watershed Media Centre

During the seminar, short model animation films made by young people and by teachers during Inset, will be screened. Oscar will discuss the learning opportunities provided by animation filming in the secondary classroom.

Oscar Stringer works in schools introducing pupils to the art and craft of model animation. He trains teachers to use the schools computers to make model animation films. When not teaching, Oscar makes two short films a year.

 

4. High Tech, Low Tech: International Collaborations (Cinema 2)

Speaker:Eric Williams, Jane Farrimond

Eric Williams and Jane Farrimond will share recent experiences of an international collaboration with teachers and artists in Italy and Romania linking digital media projection with students' performance of their creative work on identity. This includes a high-tech activity at Watershed, and a low-tech activity in Romania, where similar approaches were developed by the students with the aid of a single overhead projector. A CD Rom showing the South Gloucestershire International Project will be introduced during this seminar.

Eric Williams is Assistant Director for South Gloucestershire Local Education Authority
Jane Farrimond is Head of Drama and Performance Studies at The Sir Bernard Lovell Language College.

 

12.50 Lunch (Waterside)
Opportunities to try out a CD-Rom, to talk to an artist, to talk to UWE researchers and to see the work of an artist produced with a teenager from Elmfield School.

Sarah Laws, Education Officer at the Rural Media Company will demonstrate Cyberspace, an ground breaking interactive CD Rom produced with yound people by the Rural Media Company to address issues of racism in a rural context. Recommended for use in PSHE and Citizenship. For more information about the project, see www.ruralmedia.co.uk (Digital Seminar Suite)

Artist, Hannah Cox, will be available to discuss the Monks Park Summer School for Gifted and Talented pupils, the outcomes of which are exhibited on the walls of Concourse 2, and other project work with young people.(Digital Lounge)

Carinna Parraman and Paul Laidler from The Centre for Fine Print Research, UWE, will be available to discuss with teachers the idea of putting their young people’s art work on the web.(Gallery 2)

"The Quiet" by Mac Dunlop and Andrew Adamson (Digital Lounge)

"The Quiet" is a video reality loop, where Andrew Adamson, 13 year old neighbour to artist, Mac Dunlop, tells his story. Andrew is hearing impaired. His story is about a motorcycle incident, and he uses both British Sign Language and voice, complete with his own sound effects. Watching and hearing him tell the story is a reminder that we each have our own unique "voice", our own language, even if it is just "in our head". The helmet itself, is an imperfect combination of image and sound; to see him tell the story, you need to hold the helmet a little away from yourself, but to hear the sound you have to be closer and wear the helmet. "I hope this paradox in some way illustrates how we can easily take language and communication for granted." m. dunlop, dec, 2001.

 

1.50 Keynote: New Models of Interactive Learning: the Opportunities and Difficulties of Learning through New Technologies (Cinema 1)

Speaker: Martin Freeth

Chair: Vivienne Reiss, Visual Arts Senior Officer, The Arts Council of England [Education and Development]

Futurelab - high hopes and ambitions: can these be realised? Will the transformation of learning have to be more radical than we anticipate?
Based in Bristol, NESTA Futurelab acts as a catalyst for the development of imaginative educational software, concentrating on developing prototypes that can operate on systems and platforms likely to become available in homes and schools in 2005 and beyond. NESTA Futurelab invites teachers, pupils and parents to test ideas throughout the design process. They are particularly interested in areas that work across the curriculum and have started work in Science, Languages, creativity, thinking skills and Citizenship.

Martin Freeth, Chief Executive, NESTA Futurelab
Martin Freeth has made numerous science programmes for the BBC. He founded the BBC Multimedia Centre which developed interactive TV, CD-Roms, new media training and BBC Online. He developed and directed Explore At-Bristol and made programmes for Sky and Discovery. As NESTA’s Chief Executive he took responsibility for the Education programme, IT and NESTA’s web site. He has been developing the Futurelab project over the last two years.

 

2.20 Seminars: delegates should choose one from 5, 6, 7, 8

5. Creative approaches to learning and skills development; using digital video at 14 upwards (Digital Lounge)

Speaker: Katrina Thacker

Chair: Ayleen Driver, Director of CLC@Brislington

Katrina will speak about her work with different groups, demonstrating how creative work with digital video can fulfil the economic, technological, social and personal challenges offered by the 21st Century.
Katrina Thacker is a lecturer at Gloscat, outreach worker for the Mobile Media Club, and a Watershed tutor

 

6. The Aesthetic of the Web Film; Working with Young People to make a Digital Film (Cinema 2)

Speaker: Ana Kronshnabl

Chair: Liz Boutwood, Education Assistant, Watershed Media Centre

Ana Kronshnabl will present the website http://www.plugincinema.com and give a brief summary of the aims of plugincinema.com in relation to film-making for the Internet. She will go on to talk about her experiences of working with a group of students to produce a film made specifically for the Internet.

Ana Kronshnabl, is a research fellow at UWE who is doing a PhD on film-making for the Internet.

 

7. Symbolic Images: Textile Art and Computer design. (Gallery 2)

Speaker: Maggie Harris

Chair: Eric Williams, Assistant Director, South Gloucestershire LEA

Computer design - is it just another tool? Digital media can be very powerful, or a mystery. Much can be learnt in the classroom and the space beyond, from the study of medieval symbolism to modern textile art. But can you touch it?

Maggie Harris is Head of Art and Design in a secondary school in Swindon. A founder member of the Computer Textile Design Group, she also runs computer design courses for Adults and a Masterclass for Artists in Textiles, and has been involved with QCA and BECTa in promoting computer design.

 

8. Digital Film Editing: How Highlighting the Process Enhances Learning(Cinema 1)

Speakers: Alistair Fitchett ,Carrie McMillan

Alistair and Carrie aim to show how simple analysis of film can help illuminate learning processes. They will discuss the importance of making explicit the creative processes at work within the Art and English classrooms, and show how the digital film-editing process can enhance students' understanding of visual and written narratives.

Alistair Fitchett teaches Art at Tiverton High School in Devon. He has experience in several branches of digital media, including film and website design and has written extensively on Popular Culture for a variety of websites and publications. He is currently involved in a research project for the BFI on how the digital-film editing process can enhance students' creativity.

Carrie McMillan is KS4 Co-ordinator in English at Tiverton High School in Devon. She is the author of Year 2000 - a web journal hosted by trAce Online Writing Community, and Estar de Gala, a collection of electronic poetry. She is currently studying for an MA in Creative Writing and Media as well as being involved in a research project for the BFI on how the digital-film editing process can enhance students' understanding of written narrative.

 

3.25 Tea

 

3.40 Web Resources to Stimulate Creative Digital Activity (Cinema 1)

Speaker: Rebecca Sinker

Chair: Vivienne Reiss, Visual Arts Senior Officer, The Arts Council of England [Education and

Rebecca will show examples of a number of Web-based resources, and will talk about how some of them have been used across the curriculum, in and beyond the classroom. In addition she will discuss some of the critical and contextual issues arising from a creative relationship between ICT and learning.

Rebecca Sinker is an artist, educator and Research Fellow in Digital Arts Education at the School of Lifelong Learning and Education (LLE), Middlesex University, in conjunction with the Institute of International Visual Arts (inIVA). Development.

 

4.20 Evaluation:plans for future networking
Conference ends