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mona bismark foundation paris 1995 dimensions |
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| LightStripes consisted of ten backlit transparencies printed from a digital image. The sides were the same colour as the front of the light boxes. This increased the sweety-like quality of the images, creating a sense of a disposable commodity in the same way as WallStripes. This impression of mass-production makes the people in the images into icons that can be reproduced at will. | ||