What’s On

Contemporary cinema’s favourite detective Benoit Blanc returns in Rian Johnson’s sharply penned and devilishly fun reinvention of the classic whodunit.

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From renowned filmmaker Lynne Ramsay this is a visceral and uncompromising portrait of a woman engulfed by love and postpartum psychosis. Anchored by a ferocious, tour de force performance from Jennifer Lawrence, and co-starring Robert Pattinson.

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A shy young man finds his place in the world as the submissive to a handsome biker, in Harry Lighton’s charming, sexy and tender debut.

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Winner of the Palme d’Or at Cannes, It Was Just an Accident is a fearless tour-de-force from cinematic luminary Jafar Panahi. Both urgently political and deeply humane, this new moral classic confronts truth and uncertainty, revenge and mercy, head-on.

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In this Lunchtime Talk, Julia Scott-Stevenson will share research and creative practice findings from her research project on how might collectively engaging with immersive artworks inform our perception of climate crisis and our feelings of agency?

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Going behind the scenes of her administration and her private life, Prime Minister follows Jacinda Ardern for seven years as she is catapulted to the top of New Zealand politics, becomes a feminist political icon, resigns suddenly from office and continues to champion the fight against isolationism, fear, and the distortion of truth.

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First Friday is a monthly social and showcasing event open to anyone. This month has been co-produced with the Pervasive Media Studio and Muti Live, exploring the theme of Light in the Darkness.

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When her mother goes missing somewhere in Ireland, artist Myrid Carten returns from London to find her. Her search takes her into a feuding family, a contested house; and a history that threatens to take everyone down, including herself.

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In a UK immigration removal centre, Nigerian migrant Isio finds hope in an unexpected love that gives her the strength to fight a broken system.

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Knowle West Media Centre (KWMC) invites you to an immersive sound installation featuring voices and perspectives recorded at their Conversation Stations in Barton Hill, co-curated and produced with sound artist Nik Rawlings.

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Art for the Struggle, Struggle for the Art is a collection of five short films from the revolutionary period of Palestinian cinema – from 1968 to 1974 – exploring the importance of archive film in social and cultural documentation.

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In this powerful drama, a Palestinian and Israeli fear raising a child in a mixed Arab-Jewish community in Haifa, where they can’t even be seen together in public.

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Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland.

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Written and directed by Pedro Almódovar, High Heels is a murder mystery focussing on the relationship between flamboyant actress Becky del Paramo and her daughter Rebecca, a television anchorwoman.

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In 1999 Almodóvar had both critics and audiences swooning as he weaved together this magnificent tapestry of femininity to deliver a high-camp operetta and poignant story of love, loss and compassion.

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A playful, poignant love letter to cinema, Nouvelle Vague reimagines the making of Jean-Luc Godard’s Breathless in an exuberant exploration of the youthful rebellion and creative chaos that shaped the French New Wave.

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Hafsia Herzi’s sensitive and affecting coming-of-age drama The Little Sister tells the story of Fatima, a devout young Muslim woman, as she struggles to balance the dictates of her religion with her sexuality.

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Oliver Laxe’s Cannes Jury Prize winner Sirât tells the story of Luis (Sergi López), a committed father who embarks on a journey with his son to search for his eldest daughter, Marina, after she disappears at a rave deep in the mountains of Morocco.

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Cover-Up is a political thriller that traces the explosive career of Pulitzer Prize-winning investigative reporter Seymour Hersh.

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At a boarding school, specialising in sports, talented young boxer Camille is narrowly saved from a fatal accident by his best friend Matteo. But after a swift recovery, an inexplicable pain gradually takes hold of him, threatening his dreams of greatness and his relationship with the team.

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A retail employee infiltrates the inner circle of an artist on the verge of stardom. As he gets closer to the budding music star, access and proximity become a matter of life and death.

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A gripping thriller set against the backdrop of the British rave scene, Game stars Marc Bessant and Jason Williamson (Sleaford Mods) in their first leading roles.

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French Film Festival on Tour 2025 presents a restored copy of Harry, He’s Here to Help, to mark the 25th anniversary of Dominik Moll’s Hitchcockian thriller.

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Jodie Foster’s impeccable French and comedic skills are on full display in this mystery thriller, which sees her character journey down a rabbit hole to investigate a suspicious death.

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Marking the 30th anniversary of Todd Haynes’ psychological drama Safe (1995), this screening is an opportunity to explore the representation of disabled women within melodrama.

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Following the life of Marcel Pagnol, a playwright, novelist, and filmmaker who grew up in a middle-class household in Marseille and became one of the world's most inventive and prolific artists from the 1930s to the 1950s.

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François Ozon’s sterling adaptation of Albert Camus’ landmark novel is a gripping account of human absurdity in 1930s French-colonised Algeria

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Todd Haynes’ homage to Douglas Sirk’s style of social critique by way of melodrama, masterfully tells the story of a well-to-do suburban couple in 1950s America, straitjacketed by convention, yet desperate to lead lives they are seemingly denied.

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Adapted from the novel by celebrated crime writer Frédéric Dard (Back to the Wall), this is a rare chance to see Paris Pick-up on the big screen.

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Christmas, Again is a charming, critically-acclaimed cult festive favourite from filmmaker Charles Poekel, painting a perfectly bittersweet picture of holiday season.

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Crime is beauty in the rabid whirlwind of John Waters’ Female Trouble – the naughty middle-child in his opus “Trash Trilogy”.

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