Posted on Thu 26 May 2016
contact, touch & tapping things
In other experiments with sound I have learnt to make a 'contact microphone' with components from maplins, and following instructions on sound artist John Grzinich's website (thanks John!). As the name implies a contact microphone records sound by being in contact with the vibrations of the surface…

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Embedded Artists Residency
iShed and Sound and Music, were delighted to award artist Jen Southern this valuable opportunity to develop a new project exploring sonic art, pervasive technologies and touch.In other experiments with sound I have learnt to make a 'contact microphone' with components from maplins, and following instructions on sound artist John Grzinich's website (thanks John!). As the name implies a contact microphone records sound by being in contact with the vibrations of the surface of an object. I began doing this so that I could record the sound of a kite while it was flying, although this is still yet to happen!
This avenue of research is beginning to change too. I think the contact microphone might be more useful in amplifying the sounds that objects make when the tapping machine taps the rhythm of movement.