We think cinema is the start of a conversation. Talking to you at our Box Office, in the café/bar, before and after the films, online on social media, and reading your comments on our noticeboard deeply enriches the way we all understand the films we’re watching.
Explore Conversations about Cinema
Posted on Mon 18 March 2019
Following a special preview screening of Benjamin, Simon Amstell joined writer and comedian Ellen Waddell on stage at Watershed for a Q&A that had the entire audience in stitches. Examining everything from his process to his deepest fears and how he travelled to Bristol from London (by train), Amstell was earnest and endearing, just like the characters he's brought to life onscreen, Cinema Producer Tara Judah writes.
Posted on Mon 25 Feb 2019
When you think of soul music, the dulcet tones of Marvin Gaye, Smokey Robinson and Barry White spring to mind, but what about Teddy P?Teddy Pendergrass: If You Don't Know Me charts the rise of a should-have-been super star. Cinema Producer Tara Judah talks to radio presenter and promoter DJ Style about one of the world's lesser known first class soul singers.
Posted on Tue 19 Feb 2019
Countless music docs have taught us that talent alone isn’t enough. To really make it, you have to be a star. But what if all the elements are aligned and destiny has other plans? Teddy Pendergrass: If You Don't Know Me charts the rise of a true star who ought to be a household name. Cinema Producer Tara Judah talks to writer, historian and soul music fan Edson Burton about one of the world's lesser known, but quietly loved soul singers.
Posted on Thu 14 Feb 2019
This year’s International Film Festival Rotterdam (IFFR) asked its audience to feel their way through its impressive 400+ programme of films. Feeling everything from vulnerable to strong, frightened to empowered, excited, anxious and occasionally confused, Cinema Producer Tara Judah reflects on this year’s festival, and highlights a few films we can expect to see at Watershed in the coming months.
Posted on Mon 11 Feb 2019
From Peace Activist Bjørn Ilher speaking out about Erik Poppe's Utøya last year, to our most recent discussion on American politics and the legacy of the War on Terror following Adam McKay's Vice, the conversation is really ramping up, and it's about to get even more intense as Capernaum comes to Watershed, Cinema Producer Tara Judah writes.
Posted on Wed 9 Jan 2019
Already exasperated by successive Australian governments and their refusal to treat refugees as human beings, Australian Cinema Producer Tara Judah explains why she was moved but not shocked by this poetic and emotionally charged documentary.
Posted on Thu 13 Dec 2018
As 2018 draws to a close, we cast our eye back over the year that was; from celebrating women in cinema and workers' rights, to reclaiming the canon, revising generic tropes and exploring the liminal spaces between fiction and reality. It's been a powerful year in film, and one worth remembering, Cinema Producer Tara Judah writes.
Posted on Tue 27 Nov 2018
A careful and considered study of ritual and religion, Sebastian Lelio's Disobedience was this year's most personally affecting film for Cinema Producer Tara Judah.
Posted on Thu 22 Nov 2018
Modern-day Palestine is scarcely a place where you would expect to find a burgeoning film industry and yet, somehow, despite the occupation, politics, and resulting lack of resources, Palestinian film is blossoming, journalist and filmmaker Aphra Evans writes.
Posted on Tue 30 Oct 2018
Margarethe von Trotta was one of the key figures of the New German Cinema movement, and yet she has constantly been overlooked by the cinematic history books. With four stunning new restorations of her most remarkable films back on the big screen, it's time to celebrate - and credit - this talented and strikingly political filmmaker, Cinema Producer Tara Judah writes.
Posted on Tue 23 Oct 2018
Winner of the Berlinale Golden Bear, Adina Pintilie's Touch Me Not is a unique fusion of fiction and reality, breaking down borders and opening up bodies on screen, Cinema Producer Tara Judah writes.
Posted on Thu 4 Oct 2018
Once banished to woods, caves and deserted islands, witches have made a comeback to mainstream popular culture. Thea Berry, UWE's MA Curating student based at Watershed this year, has curated a wicked season of films exploring and reclaiming the role of the witch in film.
Posted on Wed 26 Sept 2018
In this Netflix dominated era, with more films bypassing cinema releases to go straight to streaming on demand, are we in danger of missing opportunities to promote, profile and discover the next generation of great films and filmmakers? What is the role of cinemas like ours in championing film culture? Mark Cosgrove, Watershed’s Cinema Curator, reflects on the changing nature of film exhibition and the value of cinema.
Posted on Wed 12 Sept 2018
Starting in October with Utøya, UWE and Watershed are partnering on a series of screenings and discussions that brings together a multi-disciplinary team of philosophers, political theorists, and cinema curators and producers to unpick some of the most exciting and challenging ideas in contemporary cinema, Senior Lecturer in Philosophy at UWE, Francesco Tava writes.
Posted on Wed 12 Sept 2018
Everyone wants to know who's behind star persona M.I.A., and if there's more than meets the eye to the outspoken Sri Lankan born, London raised refugee bringing politics to pop music. Candid, confident and clever, Matangi "Maya" Arulpragasam speaks, sings and raps from the heart, Cinema Producer Tara Judah writes.
Posted on Fri 7 Sept 2018
Horse trainer Brady Jandreau gives the performance of a lifetime, against the blinding twilight of a South Dakotan horizon, where fiction and reality meet in The Rider, Cinema Producer Tara Judah writes.
Posted on Wed 5 Sept 2018
Talking to writer-director Bart Layton about his hybrid beast of a movie, American Animals, offered fascinating insight into his thrilling heist hybrid, told by a pack of unreliable narrators, Cinema Producer Tara Judah writes.
Posted on Tue 28 Aug 2018
Where love and war are concerned, it's all just shades of grey. Paweł Pawlikowski's Cold War romance hits the big screen with striking polemic and a full palette of black and white, Cinema Producer Tara Judah writes.
Posted on Mon 20 Aug 2018
Laura Mulvey and Peter Wollen's Riddles of the Sphinx showed us a 360 degree alternative view to the so-called 'male gaze' of mainstream cinema. Revealing a riddle of hetero-patriarchal film history, our Summer of rediscovery with restorations from amazing women filmmakers paves the way for an Autumnal change, Cinema Producer Tara Judah writes.
Posted on Sun 5 Aug 2018
Spike Lee is a political artist, and one with a particular comic sensibility. Artists may not be able to resolve social issues, but Lee's satire is responsible, Come the Revolution's Edson Burton writes.
Posted on Mon 25 June 2018
Forty-five years since the death of Bruce Lee, author of the forthcoming book Born to be Bad: Talking to the greatest villains in action cinema, Timon Singh, reflects on the life and legacy of one of cinema and martial arts' greatest warriors.
Posted on Sun 17 June 2018
We asked David Taylor and Daisy Steinhardt from 20th Century Flicks video shop to share short reflections on the words of cinephile and activist André Bazin, ahead of their illustrated talk during Cinema Rediscovered.
Posted on Tue 29 May 2018
"Beautifully short but bizarre..." Our comments board gets Cinema Producer Tara Judah thinking about the beguiling beauty of new release Zama and how it led to loving the work of Lucrecia Martel.
Posted on Thu 17 May 2018
Tara Judah, Watershed Cinema Producer, reflects on a Q&A she hosted with film academic and author, Dr Tanya Horeck, after a screening of Coralie Fargeat’s debut feature film Revenge, on Sat 12 May. The pair and the audience discussed the interplay of morality and ethics in visual representations of violence and lots more.
Posted on Wed 19 July 2017
A reflection on Sofia Coppola's film The Beguiled in the wake of its whitewashing controversy. Mark asks – after the arguments raised – is it appropriate to rethink my initial reaction to the film?