I'm a writer, some projects include:

- scriptwriting the drama strand of the multi-award-winning FOREST 404 for BBC Sounds, the first fiction podcast to top the iTunes charts 

- creating A MILLION TINY GLITCHES, an electronic musical about grief, with my company Sleepdogs

- adapting the sci-fi series HUMANS for Chinese TV along with a team of UK and China-based scriptwriters led by Roland Moore

- the stage play HEARTWORM, winner of the 2017 Bruntwood Prize for Playwriting

- regular scripts for BBC Radio drama and the Big Finish range of official Doctor Who audios

- developing the horror feature film A BROKEN CONSORT, also with Sleepdogs

 

And I'm a composer and sound designer, working on things like -

- Timetable, an exhibit for Project What If at We The Curious in Bristol, in collaboration with Tanuja Amarasuriya and Duncan Speakman

- Sleepdogs' field-recordings-turned-electro album, LNK_A

- Chris Goode and Co's adaptation of Derek Jarman's JUBILEE at Royal Exchange Theatre, Manchester and Lyric, Hammersmith

- radiophonic pop group angeltech

- a 'reverse karaoke' performance called TOTAL ILLEGAL

 

Some people I've worked with include -

- North Sea Navigator, Raucous, Neil Bartlett, Lucy Cassidy, Laura Dannequin, Edgar Wright, Selina Thompson, Nik Partridge, Lee Lyford, Lucinka Eisler, ACTA, Greg Wohead, Bristol Old Vic Ferment, Paines Plough, National Theatre (London), Realtime (Australia), BIOS (Athens), Palm Pictures (London/New York), Bodies In Flight, Matt Lucas & David Walliams, Alice Tatton-Brown, Arnolfini, Games Faction, Mercurial Wrestler, David Lane & Sita Calvert-Ennals, BBC Film Lab

My short film ALL MY DREAMS ON VHS won the audience award at NexT Bucharest 2009, and my audio play THE MORPETH CAROL won the Radio Academy award for best drama 2014. I was part of the Channel 4 4screenwriting programme 2015.

 

Currently interested in: captioned performances, new technologies for audio drama recording, non-hierarchical attitudes in theatre-making, MIDI controllers (and portable music tech in general), cross-cultural narrative forms.

Ask me about: music tech, cross-disciplinary influences in creative processes, scriptwriting, dramaturgy. You'll normally find me in PM Studio wearing an oblique t-shirt and frowning at coloured blocks on a screen.


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