Filmic 2016: A History of Electronic Music in Film in Four Parts

Filmic 2016: A History of Electronic Music in Film in Four Parts

Season

Please note : this season finished in April 2016

Filmic, our annual celebration with St George's Bristol and Colston Hall highlighting the symbiotic relationship between music and the moving image, returns with a season of gigs and screenings exploring ideas of technology in sound and vision.

To kick things off throughout April we celebrate the influence of electronic composers and instrumentation on films and filmmakers – from Franz Waxman’s early experiments with electronic sound in 1935's The Bride of Frankenstein (Sun 3 April); Miklós Rózsa's pioneering use and popularisation of the theremin in Hitchcock’s Spellbound (Sun 10 April); the work of Oskar Sala and his electronic Trautonium to create the unsettling squarks and sounds for Hitchcock’s The Birds (Sun 17 April); to Vangelis’ totemic anthem of electronic composition that lies at the heart of British cinema classic Chariots of Fire (Sun 24 April).

Part of Filmic 2016.

Tickets: £6.50 full / £4.50 concessions and 24 and under. Get £1.00 off dishes over £7.00 in the Café/Bar on the same day with your ticket.


Previous screenings in this season

Chariots of Fire

classified PG Filmic 2016: A History of Electronic Music in Film in Four Parts
Chariots of Fire
Please note: This was screened in April 2016
Film

In what was to be his first major film score Greek composer Vangelis authored one of the most instantly recognisable pieces of electronic music in cinema history, perfectly capturing the tone and nostalgia for a time when two young and gifted British athletes - Harold Abrahams and Eric Liddell- attempted to run fast enough to win medals at 1924 Paris Olympics.

The Birds

classified 15 Filmic 2016: A History of Electronic Music in Film in Four Parts
The Birds
Please note: This was screened in April 2016
Film

For his 1963 thriller and apocalyptic tale of a northern California coastal town that’s faced with an onslaught of seemingly unexplained, arbitrary avian attacks, director Alfred Hitchcock decided to do away with the conventional, incidental film score.

Spellbound

classified PG Filmic 2016: A History of Electronic Music in Film in Four Parts
Spellbound
Please note: This was screened in April 2016
Film

Famous for its surrealist dream sequence designed by Salvador Dalí and its Oscar-winning score by Hungarian composer Miklós Rózsa – who made notable use of the theremin in one of the eerie instrument's first film outings – Alfred Hitchcock’s enthralling tale of murder and repressed memory more than lives up to its name.

Bride of Frankenstein

classified PG Filmic 2016: A History of Electronic Music in Film in Four Parts
Bride of Frankenstein
Please note: This was screened in April 2016
Film

There’s nothing like a bit of classic horror on a Sunday morning to make you feel alive… Alive! Creepy, explosive, this brilliantly evocative work of electronic experimentation remains, 80 years on, an orchestral tour-de-force unequalled in the genre.

× Close

Help us make our website work better for you

We use Google Analytics to gather information on how our website is used. This information helps us to make changes to our website that improve the usefulness and overall experience for our visitors. If you would like to help us to make continuous improvements to our website, please allow us to set "first-party" cookies (only readable by us) so that we can distinguish visitors and gain greater insights.

Allow cookies for analytics Deny cookies for analytics