A Moving Image
A Moving Image
Posted by:

Thea Berry Cinema Producer

on Wed 18 July 2018

A Moving Image: Art and gentrification in flux

Posted on Wed 18 July 2018

A Moving Image is the commendably ambitious and partly crowd-funded feature debut by writer-director Shola Amoo. Hailed by The Observer’s Wendy Ide as “a distinctive and bold new voice in British cinema”, the docu-drama addresses the thorny subject of South London's gentrification, Watershed's MA Curation student Thea Berry writes.

The story in A Moving Image (Sat 28 July, 16:00) centres on Tanya Fear’s Nina, an actress and artist, returning home to Brixton, after some time away living in the hipster enclaves of East London. Upon her return, shocked at how her old stomping ground has changed through the impossible living costs of London, Nina starts to work on a film about people getting priced out of their own neighbourhood. Nina is viewed with suspicion and contempt by locals who see her as an outsider, very much part of the problem that the area faces, and who think that her art is a distraction from the real battles to be fought. The project is an art-doc-drama hybrid, a description that can no doubt be applied to Amoo’s film, as he blurs the lines between fact and fiction. The film’s narrative is enmeshed with footage from the Reclaim Brixton march of 2015, which consists of interviews with Brixton residents and shots of protesters smashing up the shop front of estate agents Foxtons.

A Moving Image

In the process of developing the project, Nina becomes entangled in a love triangle with Ayo (Aki Omoshaybi), a black politically engaged conceptual performance artist, who has been evicted from a squat on the street on which Micky (Alex Austin), a white famous actor, also from South London, has bought a flat. In other hands, perhaps, Micky would have been a middle-class yuppie. But Amoo, who has made him working-class and from Bermondsey, an area that has experienced fast-growing change, shows the multifaceted nature of the victims of gentrification.

As the project develops, Nina is forced to question her own motives after seeing how the ‘social cleansing’ of poor multicultural neighbourhoods is a complex intersection of class, race, financial and cultural factors - not just skin colour. “Don’t you have to be white to do that?” she protests before facing the discomforting truth that more educated, privileged returnees like herself may be part of the problem, rather than the solution.

A Moving Image

The dramatic backdrop to A Moving Image may sound grimly earnest, but, fortunately, Amoo’s approach is lively and adventurous. The film incorporates straight-to-camera diatribes, music, trippy fantasy sequences and poetry with a particular focus on a street busker character, Big Ben (musician Yinka Oyewole). Subsequently including video submissions from further afield, from the notably fast-gentrifying neighbourhoods of Harlem and Bed-Stuy, Brooklyn and Neukölln, Berlin.

Aside from questions surrounding race and class, the film explores the purpose of art and whether it can really affect change and the potential hypocrisy that exists being an artist and making a film about gentrification.

Written by Watershed's MA Curation student, Thea Berry.

A Moving Image (Sat 28 July, 16:00) screens as part of Cinema Rediscovered.