An early classic of the French New Wave and possibly cinema’s defining masterpiece of disaffected youth, François Truffaut’s directorial debut The 400 Blows is the first in a cycle of four films that Truffaut eventually went on to direct that follow the life of Antoine Doinel.
In The 400 Blows, 13-year-old Antoine (Jean-Pierre Léaud) is forever getting into trouble at school, misunderstood by his teachers and parents. The only way he can seek refuge from the daily grind is by skipping school, sneaking into the local cinema and hoping for the day he can leave the classroom behind.
Capturing youth on the very edge of change, the film’s French title actually means ‘raising hell’, and Antoine’s rebellion against rigid social norms, breaking out from the confinement of stifling classrooms or his parents’ cramped flat, is exhilaratingly captured in Henri Decaë’s lyrical location-shooting on the streets of Paris.