Watershed 40 Celebration: Artists & collaborators

Watershed 40

Watershed 40 Celebration: Artists & collaborators

The artists and collaborators here have all helped Watershed's 40th Birthday celebration become a reality. We are very grateful for the love, care and attention with which they have helped us and supported us.


Asmaa Jama

Still of a person in as white suit, wearing a mask standing in a rich green plant setting

Still from Before We Disappear

Asmaa Jama is a Somali artist and poet and co-founder of art collective Dhaqan Collective, based in England. This year, Asmaa was commended for Brunel African Poetry Prize, shortlisted for the Wasafiri Writing Prize and longlisted in the National Poetry Competition. Asmaa’s a Cave Canem 2021 Fellow.

Asmaa has been published in places like The Poetry Review, Ambit, Ecotheo Review, ANMLY, Ballast and Magma and has been commissioned by Arnolfini, Hayward Gallery and Ifa gallery. 

As a film director, Asmaa was commissioned by BBC Arts to make Before We Disappear an interactive film and by Bristol Old Vic to make ‘The Season of Burning Things’ which was screened, as part of ‘100 Ways to say We’ at the Venice Architecture Biennale.


Tom Marshman

Tom has been a practising artist for 21 years, and produced over 60 projects, across many mediums, including - museum audio-tours, theatre and cabaret. Actively encouraging dialogue with participants, through socially engaged processes such as ‘Tea Parties’, allows him evocative glimpses into everyday life, letting him tell engaging, poetic and unpretentious stories. An overarching theme of his work is that of the outsider and their story, particularly regarding the LGBTQ+ experience, stories that have been omitted through archival silence. 

He aims to create safe spaces to share thoughts and experiences. The results give very resonant and authentic glimpses into the everyday. To date the purpose of his work has been to address issues that are often considered mundane or commonplace.

Photo of a man wearing a leopard chiffon shirt against a pink background

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Jen Bell

A head shot of Jen Bel against a sunset sky looking in to the distance

Jen Bell creates song portraits of people, often drawn from verbatim gathered from interviews. Her close-harmony vocal compositions combine storytelling with folk and jazz influences, and she uses the voice to create the textures and rhythms of dance music. She works across performance genres, as well as making pieces for radio.

She collaborates in the UK and internationally with singers, live artists, writers, dancers, film makers, academics and theatre makers, as an MD, composer, performer, producer or conductor. Jennifer is one of the international producers of Social Muscle Club, a member of Bristol artist collective Residence,  and a resident of Pervasive Media Studio. She often leads audiences in spontaneous choral song, and has directed and choreographed several choirs that perform in outlandish places.


HOURIA

Our Feast menu has been lovingly prepared by HOURIA and Fozia Ismail of Arawelo Eats.

HOURIA are a catering business who seek to elevate and celebrate the gifts and experiences of migrant women and female survivors of slavery. There are five chefs from HOURIA who will be sharing their food with you tonight – a variety of freshly prepared vegan food, influenced by African cuisine. 

www.houria.co.uk

A photo of a dish of spices, two drinks, a plate of food and a charred pepper

Fozia Ismail

A photo of Fozia Ismail's head and shoulders wearing a bright orange dress

Fozia Ismail is a scholar, cook and founder of Arawelo Eats, a platform for exploring politics, identity and colonialism through East African food. She has worked with a range of cultural institutions on exploring food and empire including London School of Economics, Museum of London, Serpentine Gallery, Tate Modern, National Trust, Courtauld, Bristol Old Vic, Battersea Arts Centre, Watershed and Arnolfini. 

Her work has been published by Oxford Symposium on Food & Cookery and Vittles. She has been featured on Observer Food Magazine, BBC Radio 4 Food Programme, Oxford Symposium on Food &; Cookery Ox Tales podcast, Food 52, London Eater, Vice Munchies, Vittles & Bristol 24/7. She was part of the Equitable Futures cohort at Watershed. 

Fozia has developed our Feast Welcome Drinks with children at Bannerman Road school who have made fresh elderflower cordial using local foraged ingredients.


Studio Susegad

This event is being produced and co-curated with Studio Susegad, a new home for creative production in Bristol and beyond launching in Summer 2022, focusing on rest, care and pleasure. Producer/Curator Roseanna Dias is Founder/Creative Director of Studio Susegad and has been co-leading this commission with Creative Producer Alexa Ledecky. Connect with them if you’re interested in finding out more. 

www.roseannadias.com/studio-susegad

The words Studio Susegad against a pink background

Purple Girls Collective

Composite image of a group of people from screenshot photos

An artist collective based in Bristol/London that specialise in creating honest content by female creatives navigating the industry for themselves.

Inspired by their work as part of Knowle West Media Centre’s Creativity + Care programme where they created an intimate dinner for attendees, The Purple Girls Collective have designed the table dressings and conversation prompts for Watershed’s 40th anniversary Feast.  

www.instagram.com/purplegirlscollective/

 


Equitable Futures

Towards Equitable Futures brought together the Watershed team with the Pervasive Media Studio community to imagine, together. We convened a Future Visioning Group in a series of workshops which aimed to invert the power dynamics of traditional futuring processes to ensure a fairer, more equitable future.

Find out more

 

A photo of colourful light trails

Light Grafitti by Tine Bech


Watershed's new plants

We have been working with the wonderful Dan Yeo, who has been supporting us in reflecting our commitment to sustainability. So, just a little heads up, our Café & Bar may look a tiny bit different from how you remember…