Posted on Wed 10 July 2019Clare Reddington, our CEO, is staying quiet for 24 hours in a sponsored silence for Watershed's Rife Magazine because we believe that young voices need to be heard.
Posted on Wed 3 July 2019Now we’re in July and the festival is just a few weeks away and we are really excited that we now have the complete, final line-up confirmed and announced.
Posted on Mon 1 July 2019A look ahead to one of the year's busiest months in film at Watershed – from the fantastic snapshot of what's happening with restorations, archive and rarities that is the Cinema Rediscovered festival; to new releases such as the gothic horror Midsommar and Jim Jarmusch's dead-pan zombie comedy The Dead Don’t Die.
Posted on Thu 27 June 2019Victoria Mapplebeck launched her first ever VR work The Waiting Room: VR at Watershed as part of the Virtual Realities: Immersive Documentary Encounters Showcase.
Posted on Thu 27 June 2019Rife, Watershed’s in-house online magazine for young people, will launch its first book on Thursday 11 July
Posted on Tue 25 June 2019Watershed is proud to be part of the strong film and television culture in the city that saw Bristol become a City of Film.
Posted on Mon 24 June 2019Fifty years since humankind walked on the moon, archive documentary Apollo 11 gets lift off this week. Given their love for all things astronomical, we recently invited the We The Curious Planetarium Team to attend a special preview with us and afterwards they put pen to paper to give us their perspectives on a film that looks back at those momentous days and hours in 1969 when humankind took a giant leap into the future.
Posted on Mon 24 June 2019A partnership which offered business support for creative individuals and small companies to develop a creative idea into an economically sustainable business.
Posted on Fri 21 June 2019In partnership with MAYK, we’re delighted to announce an open call for our funded Winter Residencies programme - we’re looking for three artists interested in technology and climate breakdown.
Posted on Thu 20 June 2019 by Tara JudahAt last year’s Courtisane film festival in Ghent, I saw Robert Bresson’s Une Femme Douce. I couldn’t believe that I had not only never seen this film but that it hadn't come up in conversation on Bresson, French cinema of the ‘60s and ‘70s, cinematic gaslighting, or the impact of the male gaze.
Posted on Wed 19 June 2019 by Tara JudahThe films belonging to Gluttony, Decadence & Resistance were all selected for their interest in asking us, as viewers, to think, feel and step outside of the safety of seeing films as entertainment, letting them instead activate us through an aesthetics and affect of excess that was designed to disgust and disrupt.