Posted on Thu 20 June 2019 by Tara JudahAt last year’s Courtisane film festival in Ghent, I saw Robert Bresson’s Une Femme Douce. I couldn’t believe that I had not only never seen this film but that it hadn't come up in conversation on Bresson, French cinema of the ‘60s and ‘70s, cinematic gaslighting, or the impact of the male gaze.
Posted on Wed 19 June 2019 by Tara JudahThe films belonging to Gluttony, Decadence & Resistance were all selected for their interest in asking us, as viewers, to think, feel and step outside of the safety of seeing films as entertainment, letting them instead activate us through an aesthetics and affect of excess that was designed to disgust and disrupt.
Posted on Wed 19 June 2019 by Mark CosgroveTaking a chance on a double bill in a dodgy cinema on Jamaica Street in Glasgow as a teen, Cinema Rediscovered's founder and co-curator Mark Cosgrove reflects on his discovery of the unique and mesmeric cinematic world of Nicolas Roeg.
Posted on Tue 18 June 2019 by Tom VincentToday, if you go the cinema to watch a new movie, it is almost a certainty you will be watching a digitally projected moving image but at this year’s Cinema Rediscovered, you will have the chance to see some films on film. And, if you visit the Analogue Room, you will have the opportunity to handle 35mm film and try your hand at splicing and projecting, too, Aardman Archivist Tom Vincent writes.
Posted on Tue 18 June 2019Director Peter Strickland talks about his 2019 film In Fabric and takes questions from the audience.
Posted on Tue 18 June 2019 by Adam MurrayStruck by how both films are able to tell sincere and compelling stories, seemingly revolving around the same themes and issues using the medium of ‘documentary-film', curator and critic Adam Murray reflects on the still staggeringly different approaches taken by two engaging films on the human condition; Hale County This Morning, This Evening and Hoop Dreams.
Posted on Tue 18 June 2019 by Jane GilesThe only UK cinema to take on the American phenomenon of Midnight Movies, The Scala brought daylight hours, Alejandro Jodorowsky and the Cinema of the Bizarre together for the very first time. When Santa Sangre screened it was billed as "Outrageous and brilliant... Fellini meets Monty Python", former Scala programmer Jane Giles reflects.
Posted on Tue 18 June 2019 by Jane GilesNever one to shy away from a marginalised filmmaker whose work generally received more poor reviews than plaudits, the Scala’s allegiance to maverick B-movie auteur Larry Cohen was consistent as his films ranged across the genres closest to the Scala’s heart: queer cinema, Blaxploitation, sci-fi and horror.
Posted on Mon 17 June 2019 by Rosie TaylorAlice Guy-Blaché and Muriel Box were cinema innovators working in very different eras and yet, both women fought against the odds to take their ambition to the top and become prolific storytellers for the big screen, archivist and curator Rosie Taylor writes.
Posted on Mon 17 June 2019 by James HarrisonThe dark, unnatural worlds created by Bristol-born Mike Hodges in Black Rainbow and Croupier might not be so far removed from our own, South West Silents Co-founder James Harrison writes.
Posted on Mon 10 June 2019 by Frances CoxAhead of our run of Mahamat-Saleh Haroun's A Season in France and one-off screening of Sharon Walia's The Movement, as part of Bristol Refugee Week (June 17 - 23), we spoke with Frances Cox, who shares details of her experience as a host for Refugees at Home.