Cinema Rediscovered 2019
Please note: This event finished in July 2019
Join us for the fourth edition of Cinema Rediscovered – a chance to discover some of the finest new digital restorations, contemporary classics and film print rarities from across the globe where they were meant to be experienced – on the big screen.
See how the schedule is shaping up, or view the programme below.
Get 20% off Cotswold Gin & Tonic, Cinema Rediscovered's opening night drinks sponsor, with any Cinema Rediscovered Festival ticket.
Explore Cinema Rediscovered 2019
Cinema Rediscovered founder and co-curator Mark Cosgrove sat down with Dr Aboubakar Sanogo, assistant professor of Film Studies at Carleton University in Ottawa, Canada and North American Secretary of FEPACI, to discuss the challenges and vision for African film heritage.
Festival Founder and Co-curator Mark Cosgrove caught up with Bristol based musician, producer and composer Adrian Utley (Portishead) to talk about his experience of collaborating with director Nic Roeg on the BBC project Sound on Film (2000).
For this fourth year of Cinema Rediscovered we continue to celebrate the work of cinematographer Douglas Slocombe (1913 -2016) with a special 70th Anniversary screening of Kind Hearts and Coronets (1949). South West Silents' co-founder and co-curator at Cinema Rediscovered James Harrison continues to look at the work of Slocombe and writes.
At last year’s Courtisane film festival in Ghent, I saw Robert Bresson’s Une Femme Douce. I couldn’t believe that I had not only never seen this film but that it hadn't come up in conversation on Bresson, French cinema of the ‘60s and ‘70s, cinematic gaslighting, or the impact of the male gaze.
The films belonging to Gluttony, Decadence & Resistance were all selected for their interest in asking us, as viewers, to think, feel and step outside of the safety of seeing films as entertainment, letting them instead activate us through an aesthetics and affect of excess that was designed to disgust and disrupt.
Taking a chance on a double bill in a dodgy cinema on Jamaica Street in Glasgow as a teen, Cinema Rediscovered's founder and co-curator Mark Cosgrove reflects on his discovery of the unique and mesmeric cinematic world of Nicolas Roeg.
Today, if you go the cinema to watch a new movie, it is almost a certainty you will be watching a digitally projected moving image but at this year’s Cinema Rediscovered, you will have the chance to see some films on film. And, if you visit the Analogue Room, you will have the opportunity to handle 35mm film and try your hand at splicing and projecting, too, Aardman Archivist Tom Vincent writes.
Struck by how both films are able to tell sincere and compelling stories, seemingly revolving around the same themes and issues using the medium of ‘documentary-film', curator and critic Adam Murray reflects on the still staggeringly different approaches taken by two engaging films on the human condition; Hale County This Morning, This Evening and Hoop Dreams.
The only UK cinema to take on the American phenomenon of Midnight Movies, The Scala brought daylight hours, Alejandro Jodorowsky and the Cinema of the Bizarre together for the very first time. When Santa Sangre screened it was billed as "Outrageous and brilliant... Fellini meets Monty Python", former Scala programmer Jane Giles reflects.
Never one to shy away from a marginalised filmmaker whose work generally received more poor reviews than plaudits, the Scala’s allegiance to maverick B-movie auteur Larry Cohen was consistent as his films ranged across the genres closest to the Scala’s heart: queer cinema, Blaxploitation, sci-fi and horror.
Alice Guy-Blaché and Muriel Box were cinema innovators working in very different eras and yet, both women fought against the odds to take their ambition to the top and become prolific storytellers for the big screen, archivist and curator Rosie Taylor writes.
The dark, unnatural worlds created by Bristol-born Mike Hodges in Black Rainbow and Croupier might not be so far removed from our own, South West Silents Co-founder James Harrison writes.
Celebrated as the first Berlinale Golden Bear awarded to a female director, Márta Mészáros’ Adoption is a powerful meditation on agency and womanhood in a world that waits to give permission, Julia Ray writes.
Soylent Green reveals social and environmental issues that continue to resonate today, perhaps even more troubling than ever before. Film historian Dr Peter Walsh looks at how the film challenges us to ask how far we have come and what we can do to stop the grim dystopia from becoming our reality.
Thirty years on, 20th Century Flicks' Jonathan Bygraves takes a look back at Brian Yuzna's directorial debut, Society, and the films and the era that influenced it.
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